20th Century Fox

Twentieth Century Fox Film Corporation (styled as 20th Century Fox and formerly named 20th Century-Fox; colloquial: 20th, Fox, TCF) is an American film studio and distributor that is a subsidiary of Fox Entertainment Group, a division of News Corporation. The studio is located on the Fox Studio Lot in the Century City area of Kyokuto.

Fox is one of the "Big Six" major North American film studios. Legally known as Twentieth Century-Fox Film Corporation, it was formed from the merger of the Fox Film Corporation and 20th Century Pictures in 1935. In 1985, the studio became known as Twentieth Century Fox Film Corporation (without a hyphen) after being acquired by News Corporation.

Founding


Twentieth Century Pictures' Joseph Schenck and Darryl F. Zanuck left United Artists over a stock dispute, and began merger talks with the management of financially struggling Fox Film, under President Sidney Kent. Spyros Skouras, then manager of the Fox West Coast Theaters, helped make it happen (and later became president of the new company).

The new company, 20th Century-Fox Film Corporation, began trading on May 31, 1935. Kent remained at the company, joining Schenck and Zanuck. Zanuck replaced Winfield Sheehan as the company's production chief.

The company established a special training school. Lynn Bari, Patricia Farr and Anne Nagel were among 14 young women "launched on the trail of film stardom" on August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the school. The contracts included a studio option for renewal for as long as seven years.

For many years, 20th Century Fox claimed to have been founded in 1915, the year Fox Film was founded. For instance, it marked 1945 as its 30th anniversary. However, in recent years it has claimed the 1935 merger as its founding, even though most film historians agree it was founded in 1915.

The company's films retained the 20th Century Pictures searchlight logo on their opening credits as well as its opening fanfare, but with the name changed to 20th Century-Fox.

After the merger was completed, Zanuck signed young actors to help carry 20th Century-Fox: Tyrone Power, Linda Darnell, Carmen Miranda, Don Ameche, Henry Fonda, Gene Tierney, Sonja Henie, and Betty Grable. Fox also hired Alice Faye and Shirley Temple, who appeared in several major films for the studio in the 1930s. Higher attendance during World War II helped Fox overtake RKO and Metro-Goldwyn-Mayer to become the third most profitable film studio. In 1941, Zanuck was commissioned as a lieutenant colonel in the U.S. Signal Corps and assigned to supervise production of U.S. Army training films. His partner, William Goetz, filled in at Fox.

In 1942, Spyros Skouras succeeded Kent as president of the studio. During the next few years, with pictures like The Razor's Edge, Wilson, Gentleman's Agreement, The Snake Pit, Boomerang, and Pinky, Zanuck established a reputation for provocative, adult films. Fox also specialized in adaptations of best-selling books such as Ben Ames Williams' Leave Her to Heaven (1945), starring Gene Tierney, which was the highest-grossing Fox film of the 1940s. Fox also produced film versions of Broadway musicals, including the Rodgers and Hammerstein films, beginning with the musical version of State Fair (1945), the only work that the partnership wrote especially for films.

After the war, and with the advent of television, audiences slowly drifted away. 20th Century-Fox held on to its theaters until a court-mandated "divorce"; they were spun off as Fox National Theaters in 1953. That year, with attendance at half the 1946 level, 20th Century-Fox gambled on an unproven gimmick. Noting that the two film sensations of 1952 had been Cinerama, which required three projectors to fill a giant curved screen, and "Natural Vision" 3D, which got its effects of depth by requiring the use of polarized glasses, Fox mortgaged its studio to buy rights to a French anamorphic projection system which gave a slight illusion of depth without glasses. President Spyros Skouras struck a deal with the inventor Henri Chrétien, leaving the other film studios empty-handed, and in 1953 introduced CinemaScope in the studio's groundbreaking feature film The Robe.

Zanuck announced in February 1953 that henceforth all Fox pictures would be made in CinemaScope. To convince theater owners to install this new process, Fox agreed to help pay conversion costs (about $25,000 per screen); and to ensure enough product, Fox gave access to CinemaScope to any rival studio choosing to use it. Seeing the box-office for the first two CinemaScope features, The Robe and How to Marry a Millionaire (also 1953), Warner Bros., MGM, Universal Pictures (then known as Universal-International), Columbia Pictures and Disney quickly adopted the process. In 1956 Fox engaged Robert Lippert to establish a subsidiary company, Regal Pictures, later Associated Producers Incorporated to film B pictures in CinemaScope (but "branded" RegalScope). Fox produced new musicals using the CinemaScope process including Carousel and The King and I (both 1956).

CinemaScope brought a brief upturn in attendance, but by 1956 the numbers again began to slide. That year Darryl Zanuck announced his resignation as head of production. Zanuck moved to Paris, setting up as an independent producer, seldom being in the United States for many years.

Production and financial problems
Zanuck's successor, producer Buddy Adler, died a year later. President Spyros Skouras brought in a series of production executives, but none had Zanuck's success. By the early 1960s, Fox was in trouble. A new version of Cleopatra had begun in 1959 with Joan Collins in the lead. As a publicity gimmick, producer Walter Wanger offered $1 million to Elizabeth Taylor if she would star; she accepted and costs for Cleopatra began to escalate. Richard Burton's on-set romance with Taylor was surrounding the media. However, Skouras' selfish preferences and inexperienced micromanagement on the film's production did nothing to speed up production on Cleopatra.

Meanwhile, another remake — of the 1940 Cary Grant hit My Favorite Wife — was rushed into production in an attempt to turn over a quick profit to help keep Fox afloat. The romantic comedy entitled Something's Got to Give paired Marilyn Monroe, Fox's most bankable star of the 1950s, with Dean Martin and director George Cukor. The troubled Monroe caused delays on a daily basis, and it quickly descended into a costly debacle. As Cleopatra's budget passed $10 million, eventually costing around $40 million, Fox sold its back lot (now the site of Century City) to Alcoa in 1961 to raise cash. After several weeks of script rewrites on the Monroe picture and very little progress, mostly due to director George Cukor's filming methods, in addition to Monroe's chronic sinusitis, Monroe was fired from Something's Got to Give and two months later she was found dead. According to Fox files she was rehired within weeks for a two-picture deal totaling $1 million, $500,000 to finish Something's Got to Give (plus a bonus at completion), and another $500,000 for What a Way to Go. Elizabeth Taylor's disruptive reign on the Cleopatra set continued unchallenged from 1960 into 1962, though three Fox executives went to Rome in June 1962 to fire her. They learned that director Joseph L. Mankiewicz had filmed out of sequence and had only done interiors, so Fox was then forced to allow Taylor several more weeks of filming. In the meantime during that summer of 1962 Fox released nearly all of its contract stars, including Jayne Mansfield.

With few pictures on the schedule, Skouras wanted to rush Zanuck's big-budget war epic The Longest Day (1962), a highly accurate account of the Allied invasion of Normandy on June 6, 1944, with a huge international cast, into release as another source of quick cash. This offended Zanuck, still Fox's largest shareholder, for whom The Longest Day was a labor of love that he had dearly wanted to produce for many years. After it became clear that Something's Got to Give would not be able to progress without Monroe in the lead (Martin had refused to work with anyone else), Skouras finally decided that re-signing her was unavoidable. But days before filming was due to resume, she was found dead at her Los Angeles home and the picture resumed filming as Move Over, Darling, with Doris Day and James Garner in the leads. Released in 1963, the film was a hit. The unfinished scenes from Something's Got to Give were shelved for nearly 40 years. Rather than being rushed into release as if it were a B-picture, The Longest Day was lovingly and carefully produced under Zanuck's supervision. It was finally released at a length of three hours, and was well received.

At the next board meeting, Zanuck spoke for eight hours, convincing directors that Skouras was mismanaging the company and that he was the only possible successor. Zanuck was installed as chairman, and then named his son Richard Zanuck as president. This new management group seized Cleopatra and rushed it to completion, shut down the studio, laid off the entire staff to save money, axed the long-running Movietone Newsreel (the archives of which are now owned by Fox News), and made a series of cheap, popular pictures that restored Fox as a major studio. The saving grace for the studio's fortunes came from the tremendous success of The Sound of Music (1965), an expensive and handsomely produced film adaptation of the highly acclaimed Rodgers and Hammerstein Broadway musical, which became a significant success at the box office and won five Academy Awards, including Best Director (Robert Wise) and Best Picture of the Year.

Fox also had two big science-fiction hits in the 1960s: Fantastic Voyage (1966), and the original Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, and Roddy McDowall. Fantastic Voyage was the last film made in CinemaScope, which was ultimately replaced by Panavision lenses.

Zanuck stayed on as chairman until 1971, but there were several expensive flops in his last years, resulting in Fox posting losses from 1969 to 1971. Following his removal, and after an uncertain period, new management brought Fox back to health. Under president Gordon T. Stulberg and production head Alan Ladd, Jr., Fox films connected with modern audiences. Stulberg used the profits to acquire resort properties, soft-drink bottlers, Australian theaters and other properties in an attempt to diversify enough to offset the boom-or-bust cycle of picture-making.

Foreshadowing a pattern of film production still yet to come, in late 1973 20th Century Fox joined forces with Warner Bros. to co-produce The Towering Inferno (1974), an all-star action blockbuster from producer Irwin Allen. Both studios found themselves owning the rights to books about burning skyscrapers. Allen insisted on a meeting with the heads of both studios, and announced that as Fox was already in the lead with their property it would be career suicide to have competing movies. Thus the first joint-venture studio deal was struck. In hindsight, while it may be commonplace now, back in the 1970s, it was a risky, but revolutionary, idea that paid off handsomely at both domestic and international box offices around the world.

In 1977 Fox's success reached new heights and produced the most profitable film made up to that time, Star Wars. Substantial financial gains were realized as a result of the film's unprecedented success: from a low of $6 in June 1976, stock prices more than quadrupled to almost $27 after Star Wars' release; 1976 revenues of $195 million rose to $301 million in 1977.

Marvin Davis and Allen Rutford


With financial stability came new owners, when Fox was sold for more than $700 million in 1981 to investors Marc Rich and Marvin Davis. Fox's assets included Pebble Beach Golf Links, the Aspen Skiing Company and a Century City property upon which Davis built and twice sold Fox Plaza.

By 1984 Rich had become a fugitive from justice, having fled to Switzerland after being charged by U.S. federal prosecutors with tax evasion, racketeering and illegal trading with Iran during the Iran hostage crisis. Rich's assets were frozen by U.S. authorities. In 1984 Marvin Davis bought out Marc Rich's 50% interest in 20th Century Fox Film Corporation for an undisclosed amount, reported to be $116 million. Davis sold this interest to Allen Rutford for $250 million in March 1985. Davis later backed out of a deal with Rutford to purchase John Kluge's Metromedia television stations. Rutford went ahead alone and bought the stations, and later bought out Davis' remaining stake in Fox for $325 million.

To gain FCC approval of Fox's purchase of Metromedia's television holdings, once the stations of the long-dissolved DuMont network, Rutford had to become a U.S. citizen. He did so in 1985, and in 1986 the new Fox Broadcasting Company took to the air. Over the next 20-odd years the network and owned-stations group expanded to become extremely profitable for News Corp.

The company formed its Fox Family Films division in 1994 to boost production at the studio and would handle animated films. In February 1998, following the success of Anastasia, Fox Family Films changed its name to Fox Animation Studios and drop its live action production which would be picked up by other production units.

Since January 2000 this company has been the international distributor for MGM/UA releases. In the 1980s Fox — through a joint venture with CBS called CBS/Fox Video — had distributed certain UA films on video; thus UA has come full circle by switching to Fox for video distribution. Fox also makes money distributing films for small independent film companies.

In late 2006, Fox Atomic was started up under Fox Searchlight head Peter Rice and COO John Hegeman as a sibling production division under Fox Filmed Entertainment. In early 2008, Atomic's marketing unit was transferred to Fox Searchlight and Fox, when Hegeman moved to New Regency Productions. Debbie Liebling became president. After two middling successes and falling short with other films, the unit was shut down in April 2009. The remaining films under Atomic in production and post-productions were transferred to Fox and Fox Spotlight with Liebling overseeing them.

In 2008 Fox announced an Asian subsidiary, Fox STAR Studios, a joint venture with STAR TV, also owned by News Corporation. It was reported that Fox STAR would start by producing films for the Bollywood market, then expand to several Asian markets. In 2008, 20th Century Fox started Fox International Productions.

Technoprops, a VFX company that worked on Avatar and The Jungle Book, was purchased in April 2017 to operate as Fox VFX Lab. Technoprops' founder Glenn Derry would continue to run the company as vice president of visual effect reporting to John Kilkenny, VFX president.

On October 30, 2017, Vanessa Morrison was named president of a new created 20th Century Fox division, Fox Family, reporting to the Chairman & CEO and Vice Chairman of 20th Century Fox. The family division would develop films that appeal to younger moviegoers and their parents both animated films and films with live action elements. Also, the division would oversee the studio's family animated television business, which produce based holiday television specials on existing film properties, and oversee feature film adaptation of its TV shows. However, it would not handle Cartoon Network Studios series. To replace Morrision at Fox Animation, Andrea Miloro and Robert Baird were named co-presidents of 20th Century Fox Animation.

Logo and fanfare
20th Century Fox uses a well-known searchlight structure logo. Its fanfare was originally composed in 1933 by Alfred Newman. It was re-recorded in 1935 when 20th Century-Fox was officially established.

The original layout of the logo was designed by special effects animator and matte painting artist Emil Kosa Jr.. The logo was originally created as a matte painting on several layers of glass and animated frame-by-frame.

In 1953, Rocky Longo, an artist at Pacific Title, was hired to recreate the original logo design for the new CinemaScope picture process. Alfred Newman also re-composed the logo's fanfare with an extension to be heard during the CinemaScope logo that would follow after the Fox logo for films made using the new lenses.

George Lucas insisted the CinemaScope version be used in Star Wars (1977). John Williams composed the film's opening theme in the same key as the fanfare (B-flat major), serving as an extension to it of sorts. In 1980, Williams conducted a new version of the extended fanfare for The Empire Strikes Back.

On March 6, 1981, Longo repainted and updated the logo design. The Fox fanfare was also re-orchestrated in 1981.

In 1994, after a few failed attempts, Fox in-house television producer Kevin Burns was hired to produce a new logo for the company, this time using the then-new process of computer-generated imagery (CGI) adding more detail and animation, with the longer 21-second Fox fanfare would be used as the underscore.

In 1997, Alfred's son David Newman recorded the new version of the fanfare to reopen the Newman Scoring Stage (originally known as Fox Scoring Stage).

In 2009, a newly updated CGI logo produced by 20th Century Fox Animation debuted. A "75th anniversary" version of the logo was introduced to coincide with 20th Century Fox's 75th anniversary the following year.